"The ambiguity that the piece conveys makes us puzzled about the personal action of the artist. It is as if it is telling us that an object is like a language, right in front of us, showing us its skin. The rectangularity of the piece is impossible to sustain because one of its boundaries is destroyed. Tracing the outline of The border is called to a halt, teaching us the aberration of an accident. "
Jorge Torres - director of the Museo Nacional de Bellas Artes, Cuba